A tour of the Biennale locations and a material on the Romanian pavillion – probably the one with the strongest architectural character from all the spaces of these edition. Read more from the new issue on September of Arhitectura magazine.

The Curators’s word

The exhibition in the Romanian Pavilion can best be described as an attempt to put onto the stage a play in five acts, represented by the works of artists Ştefan Constantinescu, Andrea Faciu and Ciprian Mureşan. The three artistic positions are conceptually united within a site-specific installation conceived by the studioBASAR architectural group as a theatre set. By questioning the way in which the subjective vision of artists regulates the position of viewer and his relationship with the exhibition site, The Seductiveness of the Interval engages in a “theatrical” mode of dialogue with the viewer, inviting him to identify the network of causal links between multiple passages, sequences and transitions presented in the exhibition, in order ultimately to ensure the coherence of the whole (Alina Şerban).